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santa maria del priorato, rome, alternative design for the high altar, 1724–30
Piranesi’s extremely unconventional solution for the Aventine altar is emphasized by comparison with this earlier proposal for the Aventine scheme by Carlo Marchionni, an architect who worked on the Villa for Cardinal Albani (from 1746 onward) and the Sacristy of St Peter’s (1776–86).
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Bank of England. Perspective of the 3% Consols Office,
Sir John Soane |
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clock in the egyptian style
Thomas Hope |
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design for a doorway to the grand gallery of the villa albani
Carlo Marchionni |
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design for a table with monopods, plate 38 in recueil des décorations intérieures
Charles Percier & Pierre-Francois-Léonard Fontaine |
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Design for the Cardinals’ Stadium, Glendale, Arizona
Peter Eisenman |
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design for two andirons and a sconce of gilt bronze for the pavilion de bagatelle, paris
Jean-Démosthéne Dugourc |
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Doncaster Race Cup
Rebecca Emes and Edward Barnard |
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Egyptian or Black room, duchess street, london, from household furniture and interior decoration, 1807
Giovanni Battista Piranesi |
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Episcopal Academy Chapel
Venturi, Scott Brown and Associates |
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Project for a Metropole
Etienne-Louis Boullée |
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Section of the long side of entrance hall at Syon House, Middlesex, in Works in Architecture of Robert and James Adam, Vol. II
Gift of the James Smithson Society |
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sepulcher in egyptian style with caryatids and a lion
Louis-Jean Desprez |
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Temple of Justice
Jean-Charles Delafosse |
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view of consuls transfer office for the bank of england
Joseph Michael Gandy |
